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#709 : Aimer et mourir

 

Bill se sépare de Sookie qui se retire dans la confusion. Sam fait un choix. Jason s'exerce à une retenue inhabituelle. Eric fait face à un dilemme après s'être empètré dans un mensonge.

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3.75 - 4 votes

Titre VO
Love Is to Die

Titre VF
Aimer et mourir

Première diffusion
17.08.2014

Première diffusion en France
18.08.2014

Vidéos

Sneak Peek #1 - Arlène/Sookie

Sneak Peek #1 - Arlène/Sookie

  

Promo (VOSTFR)

Promo (VOSTFR)

  

Photos promo

Photo de l'épisode #7.09

Photo de l'épisode #7.09

Photo de l'épisode #7.09

Photo de l'épisode #7.09

Photo de l'épisode #7.09

Photo de l'épisode #7.09

Photo de l'épisode #7.09

Photo de l'épisode #7.09

Diffusions

Logo de la chaîne HBO

Etats-Unis (inédit)
Dimanche 17.08.2014 à 21:00
3.56m / 1.8% (18-49)

Plus de détails

Écrit par : Brian Buckner

Réalisé par : Howard Deuch

L’épisode s’ouvre sur le refus de Bill de boire le sang de Sarah. Jessica et Sookie s’insurgent contre cette décision mais Bill, bien que n’arrivant pas trop a  expliquer pourquoi, ne change pas d’avis. Il libère Jessica en lui rappelant combien il est fier d’elle et quitte le Fangatasia.

Sookie et Jess se rendent au mobil home de Sam mais ne découvre que des lettres d’adieu. Sookie fond en larmes.

Elles se rendent au Bellefleur’s pour remettre la lettre de démission destinée a Andy. Arlène a décidé de faire une petite fête, Sookie reste un peu. Jess, après s’être excusé auprès de James et lui avoir souhaiter tout le bonheur possible avec Lafayette ,  s’en va.

Chez Hoyt, Brigette fait le point sur leur relation. Hoyt, lui explique les choses avec sincérité et tout semble se reconstruire lorsque l’on frappe a la porte : C’est Jess.

C’en est trop pour Brigette : elle demande a Hoyt de choisir… il choisit Jess. Suit alors une grande explication entre les deux anciens amants. D’un coup tous leurs sentiments ressurgissent et ils se rendent compte qu’ils s’aiment toujours.

Brigette appelle Jason, celui-ci arrive et… se prend un magistral coup de point avec Hoyt. Brigette le ramène chez lui. Il lui précise qu’ils ne feront pas l’amour, Brigette s’en amuse : il n’en était pas question. Ils passeront une chaste soirée, pleine de complicité, alors que Jess et Hoyt retrouverons leur harmonie sexuelle.

Sookie et Arlène parle un peu, Sookie prend conscience qu’elle n’a pas vraiment laissé sa chance a Alcide car aimait toujours Bill. Elle parvient oublier un peu son chagrin et part rejoindre les convives.

Eric passe voir Bill, essaye de lui expliquer que c’est la maladie qui le rend mélancolique, que lui aussi a vécu ça mais Bill insiste, lui explique son rêve et pense lui prouver sa noirceur et que, tant qu’il sera sur terre, Sookie ne pourra pas aimer un autre homme. Eric est touché et accepte de plaider près de Sookie pour qu’elle veuille bien écouter ses explications. Il part la chercher au bar et, avec beaucoup de tendresse, la ramène chez elle pour qu’elle puisse voir Bill.

Au Fangatasia, Pam passe son temps en refaisant la couleur de Sarah et lui explique son avenir : elle sera la pute la mieux payer du monde : « une morsure et vous êtes un nouveau vampire ! » Sarah est effondrée. Eric rentre aussi et retrouve Ginger qui lui demande pourquoi ne pas l’avoir prévenu qu’il était guérit, l’envoyant balader comme d’habitude dans un premier temps, contre tout attente, il se ravise et revient vers elle. « Faisons-le ma belle ».

Ginger n’en revient pas. Elle est si heureuse que quelques mouvement lui suffiront et atteindra l’extase presque immédiatement, a la grande surprise d’Eric.

Il rejoint Pam au sous sol et à la mauvaise surprise de voir que Mr Gus est revenu… et lui demande où il était. Perspicace, Mr Gus comprend rapidement qu’Eric a vendu la mèche pour Sarah et menace Pam. Eric est bien obligé d’avouer que Sookie est au courant.

L’épisode se termine sur cette question du Yakuza : « et où donc cette Sookie habite ? »

FANGTASIA:

JESSICA: What the fuck do you mean you don't want it?

BILL: Jessica

JESSICA: Why, Bill?

SOOKIE: You don't even know, do you?

BILL: I don't know how to explain myself other than to say that I have accepted my fate.

JESSICA: And that would be all well and good if you had to, but you don't, all right? All you've gotta do is drink this cunt's blood and this could all be over.

PAM: As much as I appreciate a compelling character drama, the Yakuza are upstairs, so need I remind you to keep it the fuck down volume-wise?

SOOKIE: Whatever this is, whatever you're doing, you don't get to hide behind the word "fate”. The cure is right fuckin' there. Look at her. She's your fate. She is your destiny. If you don't drink her blood, you're making a choice, Bill. A choice you won't have to live with but we will, Jessica and me.

BILL: You're right.

JESSICA: Thank God.

BILL: I am making a choice. I'm choosing the true death.

JESSICA: Fuck you, Bill.

BILL: Jessica.

Sookie slaps Bill across the face.

SOOKIE: Don't you look at me like that. I'm with her. I want to know why.

BILL: I can't.

Sookie slaps him again.

SOOKIE: Try!

BILL: There are no words.

Sookie raises her hand to slap Bill again, but Eric rushes at her at vampire speed and stops her.

ERIC: You should leave. And not a word about Sarah to anyone.

BILL: I understand.

Bill starts to leave.

JESSICA: Bill? I want you to release me.

BILL: Jessica

JESSICA: Do it.

BILL: Jessica Hamby as I know you know I never wanted to make you vampire. Turning you was punishment for taking the life of one of our kind. I am so proud of the vampire that you’ve become and I know you will stand out there on your own two feet just beautifully when I am gone. I renounce the ties of our blood and my dominion over you as my progeny. As your maker, Jessica I release you.

Bill walks out of the dungeon. Pam embraces Jessica to comfort her.

PAM: Cry on my jacket, you’re paying for it, sweetheart.

ERIC: I’m sorry, Sookie.

 

******* Opening credits *******

 

SAM’S TRAILER:

Sookie and Jessica pull up to Sam's trailer in Alcide's old truck. Jessica exits the truck.

JESSICA: It's safe. You can come on out.

SOOKIE: Thanks.

They both enter Sam's trailer.

SOOKIE: Where'd you go, Sam?

JESSICA: Sookie?

Jessica finds two letters on the coffee table. She gives one to Sookie.

JESSICA: Do you want me to wait outside?

SOOKIE: Actually, I don't wanna be alone.

Sookie sits down on the couch to read Sam's letter out loud; Jessica joins her on the couch

SOOKIE:“Dearest Sookie, if you're reading this letter, then you've probably already figured out that I'm gone. I take it you haven't forgotten Nicole's little outburst…”

As she reads, we see a flashback of Sam and Nicole emptying the trailer and filling his pick-up truck with several boxes.

SAM’S VOICE: “…the other night. Truthfully, Sook, I ain't sure whether she's right or wrong about our town.” “Thanks sweetie.

NICOLE: No problem. This little girl's doing back flips in here.

SAM: Yeah?”“She says we're all crazy. I think we might just be resilient. Either way, there are two things I am sure of. The first is that I love Nicole very much.”“Hey, hey, hey, no fuckin' way, baby!

NICOLE: I got it!

SAM: You don't got it.

NICOLE: I almost had it.

SAM: Yeah, you did almost have it. Jeez.

NICOLE: I'm still strong, you know?

SAM: I know you're strong, but you gotta relax. Come on, why don't you go sit down?”“The second is there ain't no way I'm gonna miss out on seeing my baby grow up. The way I see it, we live two lives here on Earth, Sookie, the first is for us; the second's for our kids. And we gotta teach 'em what we know, what we've learned. Now, don't get me wrong, Sookie. This is a good-bye. And the older I get, the more I realize the world ain't as big a place as I used to think it was. And I'm just gonna be in Chicago. And that's just a stone's throw. Nicole and I would love to have you come out after the baby's born. Think about it, all right?”

NICOLE: “Thank you for doing this, baby. I know what you're giving up.

SAM: I am getting way more than I'm losing. Okay.”“I want you to know after everything we've been through, Sookie…”

SOOKIE: “…know that I love you. Sam.”

Sookie curls up in Jessica's arms.

 

BELLEFLEUR’S BAR:

SOOKIE: Arlene? Knock-knock!

Jessica and Sookie enter Bellefleur's from the back entrance.

ARLENE: Sookie, is that you?

SOOKIE: Yeah, I didn't wanna sneak up on you. I brought Jessica with.

ARLENE: Yay!

They embrace each other.

LAFAYETTE: Well, this shouldn't be weird at all. Hey, Redbone.

JESSICA: Hey.

SOOKIE: What's going on here?

ARLENE: Did you see "Field of Dreams"?

SOOKIE: No.

ARLENE: Say it, Big John.

BIG JOHN: "If you build it, they will come."

ARLENE: Yes, they will.

SOOKIE: I don't get it.

ARLENE: Well, the way I see it, business sucks right now, but it ain't ever gonna pick up unless we open up. So I decided that startin' tonight we're all just gonna show up for work anyhow, then just wait it out till the customers start coming back. But in the meantime, party's gonna have to be just for us, y'all.

Whooping, cheering.

ARLENE: So, can I get you something to drink?

SOOKIE: No, thanks. Not right now.

LAFAYETTE: Is you all right, Sook?

SOOKIE: Sam's gone.

ANDY: What?

SOOKIE: He's gone. (To Andy). Can I talk to you for a sec?

Sookie and Andy retreat to the back office.

ANDY: What's going on?

SOOKIE: He left us each a letter. I found 'em in his trailer.

ANDY: Okay.

SOOKIE: Mine was pretty heavy, so I figured, you know, you might not wanna read it in front of a whole bunch of people.

ANDY: Yeah, yeah, this is probably more appropriate considering the circumstances. Thank you.

SOOKIE: Do you want to be alone?

ANDY: No, sweetheart. You can stay.

Andy reads the letter.

SOOKIE: Andy?

ANDY: "Dear Sheriff Bellefleur, I resign. Sincerely, Sam Merlotte."

SOOKIE: That's it?

ANDY: That's it.

SOOKIE: So the whole closed-door thing?

ANDY: Completely unnecessary.

Out in the restaurant, Arlene, Holly and Willa are putting table covers down. Jessica sits alone at the bar and James walks to her.

JAMES: Hey, Jess. Look, I'm sorry about the way everything went down.

JESSICA: I don't know very much about you.

James seats at the bar.

JAMES: What are you talking about?

JESSICA: The other night at Sookie's after you left, Lafayette said something to me that made a lot of sense. He said that he knew things about you that I didn't. He said I didn't know them 'cause I never cared enough to ask. I'm sorry that I never asked.

JAMES: It's okay.

JESSICA: Are you two happy together?

JAMES: Yeah. Yeah, I think we're gonna be.

JESSICA: Then I'm happy for you.

She gives him a kiss on the cheek.

 JAMES: Thank you.

JESSICA: Do me a favor, will you?

JAMES: Yeah, anything.

JESSICA: Just make sure that Sookie gets home safe.

JAMES: Of course. W-where are you going? Jess!

She walks out of the bar.

 

HOYT’S HOUSE:

Hoyt sits in his living room, watching TV. Brigette is washing dishes.

BRIDGETTE: Look, I'm really proud of you for being a hero and all, Hoyt, but I think that we need to talk.

HOYT: What about?

BRIDGETTE: "What about"? About last night, Hoyt. About you not wanting to have children. You owe me an explanation. I mean, don't you think that I deserve that?

HOYT: I love you, Brigette. If I wanted to have kids I would want to have kids with you. I just, I don't know if that's where I'm at. That's all. That's all it is.

Hoyt goes to the kitchen. Bridgette follows him.

BRIDGETTE: Who was that redhead last night?

HOYT: What redhead?

BRIDGETTE: The vampire. The one who got all googly-eyed after you saved her life? All Southern with her eyelashes that go on for days.

HOYT: Brigette, I never seen her before last night. I just, I've never laid eyes on a redheaded vampire before.

BRIDGETTE: But you know who she is now, don't you?

HOYT: Oh, fuck.

BRIDGETTE: What?

HOYT: Could we just talk without you houndin' on me?

BRIDGETTE: Where were you today while I was here packing up this house so that you wouldn't have to deal with the emotional burden of it all? Where were you?

HOYT: I was with Officer Stackhouse.

BRIDGETTE: You were with Jason? All day? You didn't go anywhere else? You didn't do anything else?

HOYT: Okay. Okay, I saw her.

BRIDGETTE: God damn it, Hoyt.

HOYT: No, God damn nothing. Listen to me, sweetie.

BRIDGETTE: I had never seen her before and I don't have any idea who she is, and that's the truth, I don't know.

I'm sitting up with Jason at Merlotte's or Bellefleur's, whatever the hell it is they call it now, and he tells me that her maker's dying of Hep-V.

BRIDGETTE: Okay, so you don't know her, but you do know her maker?

HOYT: Yes. Yeah, he's the first vampire that I ever met. And he's always been really good to me and he had a super interesting life. The man is dying. I wanted to help out. So I went to the clinic, I gave my blood; I took it over there so he'd have something to eat, and that's the truth, and that's it.

BRIDGETTE: You swear you're not lying to me, Hoyt?

HOYT: I swear I'm not lying to you.

BRIDGETTE: I'm sorry.

HOYT: It's okay.

BRIDGETTE: No, it's not. I know you better than that. I guess I just don't know you here or something.

HOYT: Honey, it's okay.

BRIDGETTE: Mm-hmm.

HOYT: I'll make us some dinner, we'll forget all about it.

There’s a knock at the door.

JESSICA: Hoyt? Hoyt, can you open the door, please? I really, I need to talk to you.

BRIDGETTE: Who is that?

HOYT: I don't know, baby.

BRIDGETTE: Ugh.

Bridgette removes herself from his embrace and answers the door.

BRIDGETTE: What do you want?

JESSICA: I'm sorry, Hoyt. I'm really sorry. This is so…

HOYT: Jesus, Jess. What's the matter?

BRIDGETTE: Oh, oh, so you do know her, then?

JESSICA: Look, I know that I should not be here, but, please, can I come in?

BRIDGETTE: No, you may not come in. Hoyt, you are a fucking liar.

JESSICA: He's not lying. He's not. I know him, but he doesn't know me.

BRIDGETTE: That's not even possible.

JESSICA: Yes, it is. Trust me. That's what I came here for. I came here to tell him, to tell you.

HOYT: To tell me what?

JESSICA: About us. Hoyt, you and me, we used to be together.

HOYT: What?

JESSICA: We lived together and we were so, so happy. And then I went and I, I fucked it up.

BRIDGETTE: You need to leave.

HOYT: Hang on a second.

BRIDGETTE: No, I'm not gonna hang on a second. Look, I am so confused right now and I don't know what the fuck is going on, but I do know that I don't want to listen to it. I can't. If you want to listen to it, then you can feel free to, but do it outside. And go out there knowing that if you walk out on me right now, you and me are through. Do you understand?

Jessica walks away.

HOYT: I'm sorry, Brigette.

Hoyt leaves Bridgette. She starts to cry, and then slams the door. Jessica walks alone in the night. Hoyt walks up to her.

HOYT: Jessica. You wanna tell me what's going on?

JESSICA: Bill released me tonight.

HOYT: Jesus, I'm sorry. Why?

JESSICA: There's a cure but he wouldn't drink it.

HOYT: I'm confused.

JESSICA: Yeah, so am I. Because it was right there. Salvation was right there and he wouldn't take it.

HOYT: How come?

JESSICA: I don't know. And I don't think that he even knows, but I, I could understand, I could understand someone accepting their fate if they had to, but if they don't? That I don't understand.

HOYT: But you thought I would understand.

JESSICA: I thought you would understand me. You were the first man that I ever really loved. I'm really sorry that I fucked everything up with your girlfriend. I mean, she seems really nice and everything. It's just that I knew that you were here and I couldn't think of anyone else that I would want to be with on a night like tonight. And that is the most selfish thing I have ever heard.

HOYT: Well, maybe it is. But for whatever reason, does it really fuckin' matter right now? I want you to see if you can try to catch your breath. And once you've caught it, I want you to tell me the story of us.

They embrace each other.

 

JASON’S HOUSE:

Jason makes dinner for himself in his kitchen when his cell phone starts to ring.

JASON: Stackhouse.

BRIDGETTE: Hey, I, I'm really sorry to bother you, but you're the only person I know in this entire town, so do you think you could come and get me?

JASON: Sure, but who is this?

BRIDGETTE: It's me, Brigette.

JASON: Hoyt's Brigette?

BRIDGETTE: Not anymore.

JASON: Oh, shit. What happened?

Jason hurriedly shuts off his stove and searches for his car keys.

BRIDGETTE: Well, that redheaded vampire from last night showed up and…

JASON: Whoa, whoa, whoa, whoa, Jessica?

BRIDGETTE: Yeah, and she started talking about…

JASON: Fuck.

BRIDGETTE: … how she and Hoyt used to go together. And, I don't know, the whole thing just became a big mess.

JASON: Well, saddle up, Brigette, 'cause things are about to get a whole lot messier when I get there. I'm on my way.

 

BELLEFLEUR’S BAR:

Sookie sits alone at the bar, while everyone else is assembled together at multiple tables that had been pushed together. Seated at the table is Keith, Arlene, Rocky, Andy, Holly, Willa, James, Wade and Adilyn. Big John comes out to serve the group a large bowl of dirty rice.

WILLA: Well, what are y'all having?

BIG JOHN: Etouffé and dirty rice.

ROCKY: I don't like dirty rice.

HOLLY: Shut up, honey. Yeah, you do.

ARLENE: Big John, why don't you sit down and have something to eat? Lafayette's got the kitchen.

BIG JOHN: I'd love to, boss lady. Thank you.

KEITH: All right, then. You're a sweet boss lady.

ARLENE: I try. You know Big John knows what he's doing back there with this.

Adilyn notices Sookie's long face.

ADILYN THINKING: Aren't you gonna join us, Sookie?

SOOKIE THINKING: I don't think so, sweetie.

Arlene notices the exchange between them.

ARLENE: Darlin', is she all right?

Adilyn shakes her head no. Arlene stands up.

ARLENE: I'll be right back.

ANDY: Let's see what we got here.

Arlene joins Sookie at the bar.

ARLENE: Sookie, ain't you hungry? Keith ain't eatin'. You want me to ask him if he'll take you home.

SOOKIE: You and Keith, huh?

ARLENE: Yeah, I guess so. I mean, we're taking it real slow because we can't have sex, 'cause it would kill him if we did. But, yeah, I kinda like him.

SOOKIE: Who would've think it? Arlene Fowler and a vampire.

ARLENE: You don't have to tell me how strange it sounds. You got any advice for me?

SOOKIE: You don't want my advice. Not when it comes to datin' vampires, you don't. Bill's dying.

ARLENE: What?

SOOKIE: I gave it to him, Hep-V.

ARLENE: Honey. I didn't even know you were positive.

SOOKIE: Neither did I, so I fed him before we headed over to Fangtasia the other night.

ARLENE: And he's already sick?

SOOKIE: Because of what I am, because of my blood. He's going fast.

ARLENE: Fuck.

SOOKIE: How do you do it?

ARLENE: What's that?

SOOKIE: Keep moving on? You've started over so many times. How do you do it?

ARLENE: Well, it helps when your ex-husband comes to you in a death vision and tells you to. But without that, first thing you gotta do is make up your mind you want to.

SOOKIE: I held myself back from Alcide 'cause I never really let go of Bill, didn't I?

ARLENE: I think you might have, honey.

SOOKIE: That wasn't fair to him. I don't want to do that to anyone ever again.

ARLENE: Well, then, something tells me you won't.

SOOKIE: I love you.

ARLENE: I love you, too. Now, come on. Let's get you something to eat.

SOOKIE: I don't like dirty rice either.

ARLENE: Well, then, just put some on your plate, pick around it.

Sookie seats at the table.

ARLENE: Okay, y'all, time to dig in.Thanks for waitin'. Lafayette, it's time to eat!

JAMES: Get over here!

HOLLY: Get your ass out here!

LAFAYETTE: Be right there, hooker!

 

BILL’S MANSION:

There's a knock at the door of the Compton house. Bill answers the door and sees Eric.

BILL: Eric. Come in.

The two go into the study.

ERIC: When Pam found me in France, I felt the same way you do: nihilistic, prepared to die. Wanting to die. This disease, it doesn't just destroy the body…

BILL: It's not the disease, Eric.

ERIC: Nobody's talking about it, but it attacks, it attacks the spirit.

BILL: Why are you here?

ERIC: I came for Sookie. What you're doing to her is unconscionable.

BILL: I'm doing this for Sookie. Everything I'm doing I'm doing for her.

ERIC: Try listening to her, then, because this is not what she wants.

BILL: But it's what she needs.

ERIC: She loves you.

BILL: She'll learn to love someone else. But not while I'm on the planet.

ERIC: Get over yourself, Bill.

BILL: If she weren't fae, she wouldn't be drawn to us. We wouldn't be drawn to her. In the end, you have to admit it. It is her light that pulls us in, just as she is pulled to our darkness. Were you progressed to the point that you were experiencing fever dreams?

ERIC: I had a few.

Bill seats.

BILL: Before I came out to Fangtasia tonight, I dreamt that Sookie was rocking a baby to sleep. It was our baby, I suppose. She was singing a lullaby and putting the baby down for the night. And I was coming up from behind her not to be part of it, but to observe it, I guess. I looked over her shoulder and I finally saw our child. And it was a void. A black void. Sookie had given birth to death.

ERIC: Fuck.

BILL: That's what we are, Eric. That's all we can give her. I have lied to her, threatened her, almost raped her. And yet, like a moth to a flame, she always returns to me. She can't let go. I want to set her free. Will you talk to her for me?

ERIC: What?

BILL: Ask her if I can call on her tonight. She needs to understand this decision. She deserves to know, but I can't explain it to her if she doesn't give me the chance. Please.

ERIC: I'm over If I had an aptitude for marriage counseling, don't you think I would've figured that out by now?

BILL: This will be the last favor I ask of you, Northman. And that's a promise.

ERIC: I'll talk to her.

BILL: I'll see you to the door.

ERIC: No. Save your strength.

Eric leaves Bill.

 

HOYT’S HOUSE:

JESSICA: I had to tell you.

Jason races up to the Foytenberry house in his cruiser with the lights unnecessarily flashing and the siren sounding. HOYT: What? Oh, fuck.

Jason stops in front of Hoyt and Jessica and exits the car.

JESSICA: Jason, what are you doing?

HOYT: Fuck him.

JASON: Brigette called me. Listen, Bubba. I don't know how much Jessica already told you

JESSICA: Hoyt!

Hoyt cold-cocks Jason. He drops to the ground knocked out cold. Now sporting a black eye, he comes to in the passenger seat of his cruiser, which is being driven by Brigette.

BRIDGETTE: Jason? Hey, there. Hey, Jason, wake up. You there? Huh? Oh, sorry.

JASON: Hey, I ain't oh, fuck. I ain't supposed to let nobody drive my squad car. Where are we going?

BRIDGETTE: We have to get you to the hospital. There's no way you don't have a concussion after hitting the ground that hard.

JASON: Wait, wait, I've had a lot of concussions. How long was I out for?

BRIDGETTE: About five minutes.

JASON: Five minutes ain't shit. Besides, ain't nobody workin' nights at the hospital these days.

BRIDGETTE: Oh.

JASON: Let's just go to my place.

BRIDGETTE: Are you sure I wouldn't be putting you out?

JASON: Of course not. Listen, Brigette, um, there's something, before we get there, there's something I gotta tell you.

BRIDGETTE: Okay.

JASON: Ahem. We ain't gonna have sex tonight. All right? Hope you understand.

BRIDGETTE: Jason, I just broke up with Hoyt. I'm heartbroken. What makes you think that there's any world in which I would want to have sex with you tonight?

JASON: It's, trust me, Brigette, it needed to be said.

 

FANGTASIA:

Sarah is in the dungeon still bound and gagged. Suddenly, the door opens and two Yakuza men make unchain her and lead her, screaming, up the stairs. They bring her into the back office of Fangtasia and sit her in a chair.

SARAH, muffling: What's going on? What's going on?

PAM: I'm taking you back to blond.

 

JASON’S HOUSE:

Brigette argues with a Delta agent over the phone in Jason's bedroom.

BRIDGETTE:No, nobody died, but somebody is going to if I have to spend one more night in Louisiana.

Jason appears at the door and heads into the bathroom to grab his toothbrush and toothpaste.

BRIDGETTE:No, no, I'm sorry. Plea, please don't go get your supervisor. I wasn't threatening you. All I'm saying is that it is imperative that I get back to Anchorage tomorrow.

JASON: They won't do it?

BRIDGETTE:Hold on a second. No, it's gonna cost me $1,200 unless I qualify for a bereavement fare, which I don't.

JASON: Is it a man or a woman?

BRIDGETTE:Um, a woman.

JASON: I got this.

She hands him the phone.

BRIDGETTE:My friend wants to talk to you real quick.

JASON: Hello, this is Jason W. Stackhouse, Deputy at the Renard Parish Sheriff's Department. Who am I speaking with? Marlis, huh? Well, you have yourself a beautiful name there, Marlis. I could just say it all day. Marlis, Marlis. Anyway, Marlis, I don't know if you're aware or not, but our little town here, Bon Temps, we've been under attack this past week. Yeah. Yeah, it hasn't been pretty. And my friend here, Brigette, she's suffering from, from post traumatic stress disorder. Now, as an officer of the law, it is my job to get her back to where it's safe for her. Can you help me do my job? Well, sure you can. You're sitting in front of your computer, ain't ya? Then all you gotta do, Marlis, is push a button. Are you pushin' it? Oh, come on now, push it. It'll feel so good, I promise. Attagirl, Marlis. I'll tell her. Yeah, you, too, honey. Bye, now. She said she's emailing you the confirmation and she thanks you for choosing Delta.

BRIDGETTE:Thank you, Jason.

JASON: Yeah, you got it. No big deal.

BRIDGETTE:It actually is a really big deal to me. So, thank you.

JASON: Yeah. Good night.

BRIDGETTE:Good night.

Jason heads into the living room. He goes in front of his TV and puts the frozen package to his black eye.

JASON: Not gonna go in there. Just gonna go to sleep.So the fuck are you.

 

HOYT’S HOUSE:

Jessica and Hoyt are sitting in the living room. He puts a frozen package of vegetables on his sore hand.

JESSICA: You should really let me heal you.

HOYT: Could I ask you a question?

JESSICA: Of course.

HOYT: So when we were outside earlier, you said that the reason we broke up was that you weren't ready.

JESSICA: I wasn't.

HOYT: So, if you weren't ready then…

JESSICA: Um, I was young and immature. I mean, I was, I was like this home-schooled who suddenly became a vampire. And before I had had a chance to explore that dark side or figure out who I was or what I wanted I met you.

HOYT: And you say I knew what I wanted.

JESSICA: Yeah.

HOYT: And did you? Explore your dark side?

JESSICA: I did.

HOYT: And?

JESSICA: And when you shot Violet you actually saved my life twice because sitting here with you right now, this is the first time I've really been able to see any kind of future for myself in a really long time.

HOYT: You can heal me now if you want to.

Jessica approaches Hoyt and removes the bag of frozen vegetables from his hand. Instead of allowing him to drink her blood, she cuts her thumb on her fang and rubs her blood into his wound.

 

FANGTASIA:

Sarah, still gagged, sits with her head covered in foil as Pam continues the dye process.

PAM: God damn it. I need to remove this gag. Is that okay? El gago. I need to removo. Ugh, fuck it.

Pam proceeds to glamour Sarah.

PAM: Listen up, twat lips. I'm gonna remove your gag 'cause I can't get the foils where I need to get them with it on. But please don't mistake this for an act of kindness or an invitation to scream out, because if you do, these men will more than likely kill me. And if I'm dead there's no telling what they're gonna do with you. Do you understand me? Good girl.

Pam removes the gag.

SARAH: Thank you.

PAM: Chin down.

SARAH: May I please have a glass of…

PAM: I said chin down.

SARAH: What's gonna happen to me?

PAM: You remind me of Mary.

SARAH: Mary of Bethany?

PAM: Of the whorehouse I used to run.

The Yakuza men perk up at the sound of "whorehouse".

YAKUZA: Whorehouse. Mm.

PAM: Yeah, whorehouse they understand. Of course. Mary came to me when she was younger than you. I don't know, maybe 16 or 17. She was much prettier than I'm sure you ever were, but here's where you're the same. She thought she was too good to be a whore. She couldn't see that she was born a hooker and a hooker was all she was ever going to be. Now doesn't that sound like you?

SARAH: You're gonna sell me?

PAM: You bet your ass we're gonna sell you.

SARAH: But there will be New Blood. Why?

PAM: New Blood's not a permanent fix, Sarah. But you're the real deal. One drink from you and a vampire's good as new. You know, you play your cards right, you might just become the highest-paid trollop in history.

 

JASON’S HOUSE:

Jason is sitting on a sofa. Bridgette arrives.

BRIDGETTE: Hey.

JASON: Hey. Get any shut-eye?

BRIDGETTE: No, my head is spinning. Plus I'm starving.

JASON: Oh. Um, all's I got is beer and these peas.

BRIDGETTE: Beer sounds good.

JASON: You mind grabbing me one?

BRIDGETTE: Yeah, sure. What are you watching?

JASON: It's an infomercial. (he stands up.) World's coming to an end, but Cindy Crawford and her French doctors still wanna sell us skin care products. It's fuckin' weird.

Bridgette gives to Jason a beer.

JASON: Cheers.

BRIDGETTE: Cheers.

They seat at the breakfast bar.

What if it had been a man?

JASON: What?

BRIDGETTE: On the phone earlier. With the airline. What if it had been a man?

JASON: Well, I'd, I'd still have tried. But, yeah, I doubt I could've helped ya.

BRIDGETTE: So, what is it, then? You just have a way with women?

JASON: Um well, everybody's different, you know? Some things come hard, some things come easy. For me, math was hard. Girls weren't.

BRIDGETTE: It's because you're sweet and kind. It's got nothing to do with what you look like. And if you're telling yourself that, you're selling yourself short.

JASON: Brigette, if I was sweet and kind, none of this would be happening.

BRIDGETTE: None of what? What have I walked into here?

JASON: You sure you wanna hear this?

BRIDGETTE: Yeah.

JASON: Hoyt and me were best friends. We grew up together. We played football together, pee wee, junior high, JV. We did everything together. Only thing that was different about us was girls. See, when we'd go out, at the end of the night, I'd always wind up going home with some girl I was seeing or just met, but Hoyt, he would always go home to his mama. Until one night, Jessica walked into Merlotte's. And the way Hoyt said it, it was love at first sight. Shit. Um I'm sorry. I'm gonna stop now.

BRIDGETTE: No, no, please don't. Please.

JASON: They were amazing together. The way they worked together, the way they fit. And I fucked it all up. Worse yet, I tried to justify it like it wasn't my fault 'cause I drank her blood before, but I could of not had sex with her. I mean, people do that all the time, not have sex with people they shouldn't have it with. Just not me. I couldn't live with myself. So I went to Hoyt's work and I told him. He kicked my ass, and I let it happen 'cause God damn it, Brigette, he deserved to win after what I did to him. And after he good and beat me down, he stood over me and he said something I'll never forget. He said what him and Jessica had was real and that I was never gonna have it.

Not with her, not with anybody, 'cause there was something inside me that was just missing.

BRIDGETTE: That wasn't fair of him.

JASON: Sure it was. Anything he said, I deserved it. Man, I deserved worse. Anyways, before Hoyt moved to Alaska, he asked Jessica to erase his memory. He said he didn't want to remember her or me. That's how she remembered him but he don't remember her. Nobody lied to you and you didn't pick the wrong guy. You just happened to pick a guy who'd already met the girl he was supposed to be with. He just don't remember her. But they do, Brigette. Hoyt and Jessica belong together.

BRIDGETTE: Come on, let's go.

JASON: Where are we going?

BRIDGETTE: To bed.

JASON: Brigette, I just told you

BRIDGETTE: Jason, come on. I'm gonna teach you how not to have sex with someone.

 

BELLEFLEUR’S BAR:

Lafayette, James and Sookie walk toward Lafayette's car in the Bellefleur's parking lot.

ANDY: Good night, everybody. Let's go straight home.

ARLENE: 'Night, y'all.

JAMES: That was a good night, right?

SOOKIE: Yeah, yeah, it was.

Just as Sookie enters the backseat, Eric calls to her from behind a large tree.

ERIC: Sookie.

SOOKIE: Eric?

ERIC: Can we talk?

SOOKIE: It's okay. You guys can go.

LAFAYETTE: You sure?

SOOKIE: Yeah.

Sookie and Eric sit at one of the picnic tables outside of Bellefleur's.

ERIC: I went to Bill's tonight.

SOOKIE: You did?

ERIC: You seem surprised.

SOOKIE: I just didn't know you cared, is all.

ERIC: Well, I care about very few people in this world, a small handful of vampires and you.

SOOKIE: What did he say? Did he give you a reason why? Did he say anything other than "because"? 'Cause I swear to God, talking to him tonight was like talking to a suicidal toddler.

ERIC: Yeah, not anymore. He knows exactly what he's doing and why he's doing it. You just talk to him.

SOOKIE: No.

ERIC: No?

SOOKIE: Fuck him if he wants to die.

ERIC: Who's being a toddler now?

SOOKIE: I'm scared.

ERIC: Death is scary. I've been avoiding it for 1,000 years.

SOOKIE: How much time do you think he has left?

ERIC: I don't know. But he would like to call on you tonight.

SOOKIE: What's he gonna say?

ERIC: That he's doing this for you.

SOOKIE: That's absurd.

ERIC: No not when you hear it from him. (He stands up). Can I give you a lift home?

SOOKIE: You don't have a car.

ERIC: I'm aware.

Eric extends his hand. Sookie accepts his hand, and he lifts her off the ground.

 

JASON’S HOUSE:

Brigette and Jason lay stiffly side by side in his bed.

BRIDGETTE: How's it feel?

JASON: Strange.

BRIDGETTE: But good?

JASON: It's, it's pretty fuckin' weird, but, yeah. Yeah.

BRIDGETTE: What did I tell you?

JASON: Uh what do we do now?

BRIDGETTE: Tell me something about yourself that you've never told anyone before.

JASON: Anything?

BRIDGETTE: Just whatever comes to mind.

JASON: Uh.

BRIDGETTE: Would it help if I went first?

JASON: Oh, yeah. It might.

BRIDGETTE: Okay. Oh, I got one. I cheated on a test once.

JASON: Oh, no, you are a stone-cold criminal.

BRIDGETTE: Well, technically I let somebody cheat off of me, but that's still cheating.

JASON: You let someone cheat off you. I used to cheat all the time.

BRIDGETTE: Hey, no teasing.

JASON: Hey, look, I said I wouldn't cross this line, but I said nothing about no teasing.

BRIDGETTE: Well, it was a big deal to me and I never told anyone about it, so now it's your turn.

JASON: Oh, yeah. Okay. I like pink.

BRIDGETTE: Pink?

JASON: Yeah.

BRIDGETTE: Good. That was good. But anything else? Maybe something a little deeper?

JASON: 'Member how you and Hoyt were fighting yesterday about him not wanting kids?

BRIDGETTE: Yeah, I don't think I'll be forgetting that anytime soon.

JASON: Well I want kids, Brigette. I mean, I really, really want 'em. But what if I have a girl?

BRIDGETTE: What if you do?

JASON: What if she meets a guy like me?

BRIDGETTE: A guy like you? Hoyt was wrong about you, Jason.

JASON: What about?

BRIDGETTE: There's nothing inside of you that's missing. Everything that a man is supposed to be, it's already in there, I promise. And your daughter would be lucky to meet a guy like you.

 

SOOKIE’S HOUSE:

Eric and Sookie land in her front yard.

SOOKIE: Thanks for the lift. I've never seen Bon Temps from above like that.

ERIC: Your phone's ringing. It'll be Bill.

Sookie begins to head inside the house but she turns around.

SOOKIE: You can come inside if you want.

ERIC: Good night, Miss Stackhouse.

Eric flies off. Sookie goes inside and answers her ringing cell phone.

SOOKIE: Hello?

BILL: Did you speak to Eric?

SOOKIE: He just dropped me off, actually.

BILL: May I call on you?

SOOKIE: Would it be better if I came to you?

BILL: No, no. I'm on my way.

Sookie ends the call. Bill walks through the cemetery. He stops at the graves of his family.

 

FANGTASIA:

Ginger sits alone at the bar. She lifts her head at the sound of the front door opening. Upon seeing Eric walk in.

GINGER: Were you ever gonna tell me you weren't dyin'? Or do I just not matter to you at all?

ERIC: Ginger!

GINGER: What?

ERIC: I've spent my entire night flying around dealing with other people's relationship problems. Now, does that sound like me to you?

GINGER: No. No, it doesn't.

ERIC: No, so if you're feeling a little jilted that you weren't the first person I came running to when I got cured, I apologize. And I would like to make it up to you by fucking you. Did you not hear me, Ginger? You and I are finally gonna fuck.

GINGER: Really? (She approaches Eric.) We are really gonna fuck?

ERIC: Let's do this, sweetheart. Where did you imagine it?

GINGER: Huh?

ERIC: Where did you imagine us doing it?

GINGER: On the throne.

ERIC: Mm. Well, on the throne it is.

Eric offers Ginger his hand. She happily accepts his hand, and he leads her up on stage to his chair. He sits down

ERIC: What happens next?

GINGER: I straddle you.

ERIC: Then do it, Ginger.

GINGER: Oh.

Ginger hurriedly removes her shoes and climbs into his lap. Eric bares his fangs and grabs the back of her neck.

GINGER: What about my Hep-V?

ERIC: I'm immune.

Eric reaches down and rips off her panties. Ginger starts riding him in an exaggerated manner. Eric stares at her incredulously as she slides off him backwards on the stage floor.

ERIC: Ginger?

GINGER: That was fucking fantastic. Thank you.

ERIC: Are you gonna be okay?

She gives him a thumbs-up from her position on the rug as she continues to breathe heavily. He stands up, fixes his hair, and zips up his pants. By the time he steps over her to walk off the stage, Ginger is contently snoring.

ERIC: Good night, Ginger.

Eric walks into the back office in search of Pam.

ERIC: Pamela?

He walks down the stairs into the dungeon.

ERIC:Pam?

the Yakuza are now pointing weapons at Eric, while Pam is silvered on a table. A large stake is hoisted above her, held in place by three ropes.

PAM: Eric?

GUS: Where were you tonight?

ERIC:I saw some friends.

GUS: Your fangbanger from last night, Sookie Stackhouse?

ERIC:No.

GUS: Shame on you, Mr. Northman. I offer you the world and every time all you offer me is lies.

Mr. Gus shouts an order in Japanese and one of the Yakuza unsheathes a sword and cuts one of the ropes. The stake instantly drops a foot.

PAM: Ah!

GUS: Does Sookie Stackhouse know about Sarah? Does she?

ERIC:If you hurt her, I am out. And you need me.

The leverage you think you have is directly proportional to the patience I have left for you. And I'm running out of fucking patience, Mr. Northman!

Mr. Gus shouts another order to the Yakuza. The sword man cuts the second rope, which causes the stake to drop another foot. Pam screams.

GUS: One last rope.

Mr. Gus kisses Pam on the forehead and bids her goodnight in Japanese. He shouts another order, and the swordman raises his arm to cut the third rope.

ERIC: Stop.

Mr. Gus holds his hand out, signaling the Yakuza to stand by.

ERIC: She knows.

GUS: Finally. Some honesty. Where does Miss Stackhouse live?

 

SOOKIE’S HOUSE:

Bill walks up the steps to Sookie's porch. He opens the screen door and hesitantly knocks. Inside, Sookie is sitting in her living room.

 

******* End of the episode *******

Kikavu ?

Au total, 54 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

Rivotril 
18.03.2021 vers 14h

Ocepk80 
08.02.2021 vers 12h

Alyshia 
24.12.2020 vers 00h

Emmalyne 
30.03.2020 vers 01h

kira2000 
04.04.2019 vers 09h

tauriel 
13.03.2019 vers 13h

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